Portfolio

Portfolio: 

Coming Events:
14-16 april 2017 Cordefactum Guitar Festival,  Lier Belgium.

Guitarbuilding Models:
Martin1
Telecaster
JamV JL stratocaster
Telecaster RM
d ‘Angelico  New Yorker
de Torres Fe 19 1864 la Suprema
Classical JamV Concertguitar
Lacote 1825 Romantic guitar
de Torres Fe 19 for the Leonardo project
Enrique Garcia 1917 Model in 3 different woods
2 Bouchet models for the second phase of the Leonardo Guitar Project; one in  Plane (Platanus occidentalis), one in Indian Rosewood.

Guitars under construction:
Gibson Flying V JH
Fender Precision Bas
de Torres Fe 19 with ceder soundboard
Enrique Garcia 1917 in cypress
2 Manuel Ramirez 1912 models; one with , one without Tornavoz.

 

Past exhibitions:
CMB cordefactum 2010 : d ‘Angelico  New Yorker
Guitar builders meeting 2011: d ‘Angelico  New Yorker and de Torres 1864 la Suprema
CMB Cordefactum May 2014:  LaCote 1825 Romantic guitar, Leonardo project Torres.
2015 Holy Grail Guitar show Berlin: Leonardo project Torres.
5-8 May  2016 Twents Guitar Festival Enschede.
8-10 July 2016 Classical Guitar Retreat  Scotland.
July 2016 Iserlohn Guitar Festival.

Awards:
Dutch Guitar builders meeting 2011:  1th Price with d ‘Angelico  New Yorker
“Gouden Bootschaaf 2014″ Award from the CMB, Belgium.

Concerts/Encounters:
CMB end of year concert 2007 : Pierre van Dormael on Martin 1
CMB end of year concert 2009:  Dick van der Harst en Bart Vervaeck on d ‘Angelico New Yorker
CMB end of year concert 2011: Magalie Rischette of Trio Alki on de Torres 1864 la Suprema
Guitar builders meeting  2011: Jan Akkerman on d ‘Angelico New Yorker
CMB end of year concert 2013: Oman Kaminsky on JamV Concert Model
Cordefactum 2014: Hughes Kolp and Oman Kaminsky on the Leonardo project Torres Fe 19
CMB end of year concert 2014: Jan Depreter on LaCote 1825 Romantic guitar
CMB end of year concert 2015: Menno Buggenhout on Garcia 1917 Indian Rosewood copy
Oktober 2015: Enno Voorhorst on Garcia 1917 Santos copy.

Jan Akkerman on the d'Angelico NewyorkerGuitar hero Jan Akkerman on the d’Angelico new Yorker.